Have you guys seen the abortion movie yet? I know we’re not calling it that-- but that’s what it is. The abortion movie—because it is the first movie to treat women who choose to have abortions with the compassion and respect they deserve.
As much as I enjoyed Waitress,
Juno, Knocked Up, and every other movie revolving around an unplanned
pregnancy, they all managed to stigmatize this safe and legal procedure. Until
now, the message Hollywood was sending women who dared to go through those
clinic doors was “you made the wrong choice.”
Given these past offenses, Obvious Child needed to happen. Jenny Slate, the star of this
trailblazing movie, described her new film as a modern narrative that “feels
good in its own skin.”
I couldn’t have said it any better myself—but let me still try.
This film contributes to the rise of the regular chick. It’s
the way you felt the first time you watched Girls—before it got so problematic— observing each character's shortcomings and thinking, “Hey, that’s just like me.”
Obvious Child writer
and director Gillian Robespierre said she wanted to put somebody on the screen
who was an actual person. Her leading lady is both funny and vulnerable--- a rare combo in a chick flick. But more importantly, she's extremely likable.
“It’s really cool to see an actually funny, actually romantic
comedy-- and to see something that feels authentic and real, without shame or
regret, but not without a complexity of emotion,” said Liz Holm, the film’s
producer, who also happens to be the director of Kickstarter's film program.
Holm got involved because Obvious Child felt like a movie Hollywood wasn’t going to make, supporting “not only the right to choose, but the right to have a complex experience,” she said.
Holm got involved because Obvious Child felt like a movie Hollywood wasn’t going to make, supporting “not only the right to choose, but the right to have a complex experience,” she said.
Yes, this movie about abortion is a love story. But the real driving force behind Obvious Child is friendship. Slate and her co-star Gaby Hoffmann play Donna and Nellie, two
roommates whose BFF status is so solid, you’ll be asking your own bestie, “Why
can’t you be more like her?”
There is no competition, no jealousy—just appreciation and
acceptance, not to mention the constant support required to survive
adulthood. (Sigh.) Beyond strong relationships with lady friends, there are also
dynamic relationships with parents, and complicated relationships with men.
Nothing is simple. Nothing is constant. But that’s life, kiddos.
These inconsistencies
and imperfections, the things Hollywood usually glosses over, are what make
this movie totally perfect. Embracing
every opportunity to do things differently, there are five specific moments that set this film apart from all others.
Donna’s One Night Stand
This encounter includes copious amounts of alcohol, all of the awkwardness, and a really adorable depiction of immediate “I just met you, this is crazy” attraction. There is no nudity, no thrusting, just nervous feelings. And some dancing.
Maybe a little outdoor urination. And one pee-fart.
Donna’s Visit to
Planned Parenthood
Don’t quote me, but I really do believe this is the first
time we see an actress actually enter a clinic. Usually, overwhelmed by
protesters, they turn on their heels, signaling the start of their journey into
motherhood. Not here. Donna knows exactly what she wants, and has an accurate
consultation with a healthcare provider whose only agenda is letting women
like Donna know all of their options before they finalize their decision.
Nellie’s Impassioned Cunt
Speech
Damn, Gaby Hoffmann. I knew I liked you. This actress always plays fearless women who march to the beat of their own drum. First the
science-obsessed realist Sam, in Now and Then. Also the sex-obsessed revolutionary Odette, in All I Wanna Do. And more recently, the crazy,
crazy, oh-so-crazy “Caroline” in Girls. She is the queen of memorable monologues, and her portrayal of Nellie does
not disappoint. Furthermore, Nellie’s wise words concerning women’s autonomy
over their bodies should inspire all of us to get up and cheer for reproductive rights.
Donna’s Friend’s Abortion
Yup. Nellie, Donna’s roommate and best friend, had an
abortion. In high school. And she is an endless source of truth,
encouragement, wit and support.
Donna’s Mom’s Abortion
Yup. Mom, who Donna does not always get along with, transitions
from adversary to ally in this big reveal. Fearing the worst, Donna confides in
her mother, who reciprocates wholeheartedly. Turns out, while she was in college (in the
60’s) she terminated a pregnancy. It was no coat-hanger procedure, but it happened
on a kitchen table, out-of-state, which was often the case in the days before Roe V. Wade.
The movie excels at unlocking the mysteries surrounding
women’s sexualities and women’s health. As statistics go, one in three women
will have an abortion, but in this film, it’s three out of three.
“Our idea was to show three different stories women had, in three different ways, and they didn’t define their lives,” said Robespierre. And yet, her movie is not just about abortion:
What we wanted to do was stick to the romantic comedy genre. So it was never gonna be about will she or won’t she have the abortion. She made that choice swiftly, early on in the film, when she discovered she was pregnant. But we wanted to keep to the tropes of the romantic comedy, so it was will she or won’t she end up with the guy.
Holm also emphasized abortion is only part of the whole. “The movie is an honest story about a woman’s experience and
her life,” she said. And yet, the media has successfully labeled it the abortion movie-- because it really is the first one.
For Slate, that means her first leading role looks a lot
like activism.
According to her, it’s a movie about a woman "just trying to deal with the many moving pieces in her life.” But this isn’t just any woman. This is Donna, a stand-up comedian played by Slate, so it’s funny. Like, really funny. And edgy. Like, really edgy. As Holm put it, “This is not exactly a PSA.”
According to her, it’s a movie about a woman "just trying to deal with the many moving pieces in her life.” But this isn’t just any woman. This is Donna, a stand-up comedian played by Slate, so it’s funny. Like, really funny. And edgy. Like, really edgy. As Holm put it, “This is not exactly a PSA.”
Some might find a humorous tone inappropriate for the topic. Robespierre defended the character she created, explaining “she’s
just a funny person, and she’s going to comment on anything that happens in her
life with a little slice of humor."
Slate, who is directly responsible for any audience enjoyment,
believes funny things can be said without making the whole subject a joke, and
laughter doesn’t necessarily mean disrespect. It can also mean relief.
“It’s okay to play boundaries if you play with them
respectfully—and have your own identity and a clear place that you’re coming
from,” Slate said.
Besides being hilarious,
Obvious Child is also authentic. The clinic scenes were shot in an actual Planned Parenthood, giving some viewers their first ever glimpse inside. Intimately following
Donna’s experience, this film has the potential to start some much-needed dialogue.
Of course anti-abortion backlash is expected,
but the director is optimistic. “We’re really excited for whatever
conversations it ignites in the coming weeks. Positive or negative, at least
people are talking about it,” said Robespierre.
Slate understands the nuance, as well as the potential of a film dealing with abortion in this way. “It’s important to show flexibility in issues that tend to make us feel closed out, because that’s how they become more normal,” said Slate.
And really, there is no issue more in need of a little flexibility.